As always, dear writers, the ones with the blocks, think further and deeper outside that damn box!

I haven’t worked with photoshop in a long time. Starting over was NOT like riding a bicycle. But I did it, albeit in a slow, Carolyn fashion.  As most of you know, I am currently writing my fourth novel set in 1963. As my dad used to say, it’s a booger-bear. So, writing children’s books gives me a breath of fresh air. (Yes, I go to sleep rhyming, then pull out my hair.)

Here’s a sample of my latest. It is a reminder for children to keep their imaginations open and active as they listen to a Grandma tell her granddaughter about a magical place.


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As always, dear writers, the ones with the blocks,

think further and deeper outside that damn box.

Yes, You Can!

I received the printed children’s book I wrote from Mixbook and I’m so happy with it. does a great job with the printing and they make it easy to create. And, I have a blast finding the art work. Best thing? My granddaughter loves it! 🙂

Here’s the front cover and the first two pages:


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The last page:

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On to the next one!

Four Quills of a Tale- as scribed by Elias Kent (Entry 6)

(Four Quills of a Tale is a folktale about losing one’s creativity and the struggle to regain it)

Entry 1

Entry 2

Entry 3

Entry 4

Entry 5

Where was she, my precious girl who stood by my side village after village? Who filled me with such light!? Such color!? Now, my trustworthy companion, my leader, had left my side.

Hours, perhaps days later, I heard the distinct and distant sound of her honk. It lifted me from the cold ground and my feet followed where my ears lead.

A swirling fog of color engulfed me as if I were trapped inside a tube of colored glass. My arms flailed and, clearing the fog from my vision, I happened upon an old wooden bridge. I hesitated, but only for a brief moment. Goose’s honk continued calling me forward.

On the other side of the bridge, my body became heavy and light at the same time. My eyes were drawn to a beautifully welded lamppost reaching toward the stars and alive with a small, enticing flame.

At the post’s base stood a bald man of abbreviated stature. How curious he was! With one eye, he stared in his hand-held mirror’s reflection and seemed to look behind him with one eye, while staring forward at me with the other.

“Name?” he asked, rudely.

Katarina by CDW


Four Quills of a Tale (as scribed by Elias Kent) – Entry 4

(Four Quills of a Tale is a folktale about losing one’s creativity and the struggle to regain it)

Entry 1

Entry 2

Entry 3

I stroke the feathered quills between my calloused fingers with care, unsure what to expect. Katrina the Great Storyteller has been my shining star atop the tallest pyramid and, if the old woman is correct, Katrina will soon be revealed. But what if my grandiose impression of her becomes one of  disillusionment? As a General orders the march forward, my duty calls. I inhale a breath of courage and place the first goose feather quill between my fingers. I insert the quill into the ink.

What is this? The quill refuses the ebony ink, repelling it like water on a duck. My hand trembles, but calms when the nib forces my press upon the parchment.

It is because of Goose, my muse, that this is, my final story, will be written and subsequently told. I trust that you, Mr. Kent, will not become tiresome or burdened with this charge, but instead, ultimately enlightened and fulfilled.

            I drop the quill. Yes, I am scribing. But these thoughts, these words, this handwriting, is not my own!

The quill rolls decisively toward my trembling hand. I have no recourse but to, again, place the first goose-feathered quill between my fingers.

I never abandoned you, my listening friends. Not with intention. I once was a soul of brilliant color. Sometimes, my hues of imagination were bountiful and my flowers bloomed from gardens sweet. I tilled the soil, deep in exploration of dreams, and stirred fertile ideas in the rich black earth.            

            Once discovered, I took the gems to flowing rivers, cleaned them, and analyzed them with curious and appreciate eyes. Oh, how I loved those times—when Goose and I traveled the countryside sharing tales of imagination with you! Even now, I smile remembering how Goose fluffed her tail feathers with bravado when amongst the listeners.

            And then the colors of my imagination began to fade. Weeds in my gardens multiplied like diseased cells. I yanked and pulled, discarding the bad, hoping the good would conquer. Sometimes, the scarce treasures bled around my hand and trembled with frustration like a blank canvas waiting for paint. Particles of uncertainty coursed through my veins. I tried to find the voice within my stories and the stories within my voice. But they had vanished, as if stolen by thieves in the darkest of night.

            What could I offer if not my stories?

to be continued ….

Four Quills of a Tale -as scribed by Elias Kent (entry 2)

Entry 1

(Four Quills and a Tale is a folktale about losing one’s creativity and the struggle to regain it)

As you can imagine, I was agog with surprise and confusion. I had traveled miles and miles in search of the mystical Katerina and there, in that small cottage, my journey ended with an old woman who merely handed me a box of quills and folio of parchment.

Now, as I stare at the items before me, I can only muster the shake of my head. How can these things help me discover what happened to the Great Storyteller?

I do not, dear reader, relish the idea of keeping you in the dark, nor do I intend to quicken your despair. I do, however, require you be provided with a parcel of background about our magical storyteller, thereupon allowing you to not only feel her heartbeat, but its unfortunate absence.

Katrina traveled far spinning her tales so clearly that villagers felt like clay being molded by a gentle potter’s hand.

After departing each village, her cascading auburn hair and multi-colored skirt disappearing into the distance, her tales kept the residents alive with exuberance as if she had dribbled potent nectar from a sorcerer’s cup over the entire town, leaving them enraptured.

The oft-feuding townsmen became docile. Fussy children played with a new aloofness. Hardworking laborers rejoiced as they leaned over hot melting irons or carried objects twice their weight. Women washing clothing in the river disrobed, danced, and splashed one another as if small children.

Katerina had given them something they had all been longing but were unaware they lacked – something new and tantalizing. Something fresh. Exotic stories of gold raining in a forest, a two-headed serpent who entertained himself by singing opera while he ate, a feathered boy whom the red-beaked eagle thrillingly hunted.

Then, after time, Katrina disappeared and it became my life’s focus to find her.

And now, I stare at the quills next to this parchment and work up the courage to pick up the first of four.